| Packaging Info | |
|---|---|
| Package Weight | 0.1 lb |
| Box Dimensions (LxWxH) | 7.0 x 7.0 x 0.5" |
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Avid Media Composer 8 is a 64-bit non-linear editing system that allows you to work - without transcoding - with most file formats and resolutions, including SD, HD, stereoscopic (3D), 4K, and beyond. It also features built-in effects, transitions, and titling tools. With Media Composer 8, you can mix and match different formats, frame rates, and resolutions in the same timeline without rendering. Media Composer 8 features Full 4:4:4 HD RGB support, color correction tools, and ProRes encoding (Mac version only). You can install your choice of the Mac or Windows version.
Featuring built-in support for stereoscopic/3D footage, Media Composer 8 is a full-fledged stereoscopic editing system. It is also compatible with a wide range of effects plug-ins. It features a multicam editing mode for cutting between 9 cameras simultaneously. For audio support, Media Composer features built-in 7.1 surround sound support and audio mixing of up to 64 audio voices. It also features improved audio keyframing on the timeline and supports Pro Tools RTAS plug-ins. It supports available Avid and non-Avid hardware I/O cards and devices and includes access to the Media Composer | Symphony Option, Boris Continuum Complete Lite, NewBlue Titler Pro v1, Sorenson Squeeze, EDL Manager, and FilmScribe.
Note: This version is a standard, perpetual (non-subscription) license of the latest version of Media Composer 8. After your purchase, you'll receive an activation card with a serial number and download instructions.
Custom Projects
Avid now supports projects ranging from 256 x 120 to 8192 by 8192. Stereoscopic projects must have a height divisible by 4 and width divisible by 8. Custom project sizes can be saved as presets.
Terminology Changes
AMA is now referenced as Link in the editing application. All import and export settings for scaling of color levels from full range (RGB) to legal range (video) have been updated with more intuitive terminology.
Adapter Display in Timeline
The source side adapters icons are now represented individually so that you can quickly see which adapter has been applied to the clip. The display of these icons can be turned on/off individually.
Refresh Sequence All
The More tab of the Command Palette now has a Refresh Sequence ALL button that can be added to your Timeline toolbar and mapped to your keyboard.
AAX Factory Presets
The editing application supports Pro Tools presets for audio track effects.
Alpha Support for QuickTime Wrapped DNxHR
This release includes Alpha support for QuickTime-wrapped DNxHR media.
Inactive Audio Tracks
You can choose to include inactive audio tracks in the export process.
Transcoding Media
In previous releases, you could transcode with the media's original frame rate only when working with greater than HD projects. With this release, it now also applies to SD and HD projects.
Deleting AMA Metadata Files
You can now delete metadata files associated with linked master clips.
Four Channel Audio Monitoring Options
Additional options have been added to the Audio Mixer tool that tell the editing application the number and position of speakers connected to your workstation. The output of the sequence set in the Sequence Mix Mode is mixed into the speakers available according to one of these modes.
New Application Manager
Lets you see what Avid software, AMA plug-ins, and related third-party applications you have installed on your system. Get notified when new updates, upgrades, and renewals are available. Activate and download new software, updates, and upgrades from the interface. And if you're interested in a new product or upgrade, you can even see if a software trial is available to try it out first. It will even alert you about special offers, upcoming webinars, and events.
Workflow Acceleration with FrameFlex Tools
Allows you can immediately start working in HD directly from high-res sources, such as 4K, and maintain full creative control of the image reframing and keyframing, from beginning to end. In addition, 1D/3D Look Up Tables (LUTs) and Color Decision Lists (CDLs) make it simpler to perform real-time RAW and LogC to Rec. 709 color space conversions.
Automated Media Management
Gain more time for creativity with new features that accelerate and simplify file-based workflows. With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow.
Edit and Collaborate Remotely in Real Time
Edit, share, tag, track, and sync media and projects with everyone on your editing team. No matter where you are in the world, Media Composer enables you to connect to Interplay Production systems through Media Composer Cloud. What's more, you can edit just as efficiently as you would if you were all at the home facility, using the same familiar tools and workflows.
Master Audio Fader
You can insert RTAS plug-ins to tweak tones and optimize the overall program loudness, making broadcast regulation adherence quick and easy. You can also now make audio adjustments to any clip directly in the timeline-independently of any track-based automation with the Clip Gain control.
Improved Pro Tools Interoperability
Video Satellite is now included with Media Composer, enabling audio editors and mixers to play Avid HD and SD video sequences directly in sync with their Pro Tools session, while maintaining full system power.
Additional New Features
